Vozcomix

Coby Whitmore is my favorite painter of the sophisticated romantic scene. He painted the "Good Life". As he described it his interests were “racing cars, illustrating, and smart clothes on good looking women.”

Born in Dayton Ohio in 1913 Whitmore decided to become an illustrator when he observed the dapper dress and lifestyle of McClelland Barclay, a premiere illustrator of the early 30’s. It was the Depression, and the juxtaposition of Barclay against the poverty of the time convinced him that this was indeed the way to live.

Born in Dayton Ohio in 1913 Whitmore decided to become an illustrator when he observed the dapper dress and lifestyle of McClelland Barclay, a premiere illustrator of the early 30’s. It was the depression, and the juxtaposition of Barclay against the poversition of Barclay against the poverty of the time convinced him that this was indeed the way to live.

He moved to Chicago. Here he used the skills he had learned while attending the Dayton Art Institute to land a job.By 1936 he was working on his own producing illustrations for the Chicago Herald Examiner. After a short stint working for a studio in Cincinnati, he moved to NYC and became a fixture at the prestigious Charles E. Cooper studio. Like his idol Barclay, he also became one of the premiere illustrators in America working for the Post,Good Housekeeping, McCalls,Ladies Home Journal, Sports Illustrated and several other top magazines.

Elected to the Society of Illustrators Hall of Fame in 1978, he lived the last years of his life with his wife Virginia in Hilton Head, South Carolina.

Coby worked mostly in oils, but was adept with a number of mediums. Like his contemporary Al Parker, Whitmore started his career using the painterly style popular between the wars. But like Parker, he didn’t stop there but created a graphic approach to his picturemaking, using a combination of his painting techniques with a stunning use of negative space.

“Coby epitomizes the great sharing of knowledge and information in the tradition of history’s finest artists who pass on to others what they have learned from earlier generations. He has been the most important person in my development as an artist.”
Quote from Joe Bowler, another of America’s great illustrators and former assistant to Coby Whitmore.

Without a doubt the most popular blog so far has been my post on the great illustrator Coby Whitmore. So here are a bunch more scans from my huge tearsheet collection of his work.

In the few conversations I've had with Bob McGinnis, he always talks about Coby as one of his biggest influences from the time. Likewise with Joe Bowler, Whitmore's onetime assistant. I'm sure if you talked with more illustrators from that era, many of them would also say the same thing. While Coby Whitmore didn't have the versatility to handle a number of story types like Al Parker, as the boy-girl romance king, he remains unchallenged.

For more images of Coby Whitmore's work you can see the files I've posted lately on the Flickr site:
http://www.flickr.com/photos/vozart/sets/72157627118206312/

One of the highlights of my art career was working on the Narnia films. It was my first experience working on a major film and director Andrew Adamson might well have been the best creative boss I've ever experienced. Being hired was simply serendipity, and the work lasted for almost five years. And I got to travel to New Zealand and Prague as an added perk.

Below is the second part of one of the better sections of the storyboards that I did. With the outbreak of WWII , Peter, Susan, Edwin and Lucy as leaving a bombed ravaged London to the safe English countryside.

Mrs. Pevensie check papers and makes sure all the kids have what they need.

As mom hugs oldest son Peter who spies a group of young soldiers, no more than a year older than hiim.

Peter wants to make contact with mom, but hesitates. Lucy takes his hand in sympathy.

Some of these frames were done as inserts in New Zealand, after the actual train set was built and we could see what was available to actually shoot from.